FAHRENHEIT 451
by Ray Bradbury
Introduced by Michael Moorcock.
Illustrated by Sam Weber.
Bound in buckram.
Frontispiece and 5 colour illustrations.
Book size: 9½" × 5¾", 176 pages.
by Ray Bradbury
Introduced by Michael Moorcock.
Illustrated by Sam Weber.
Bound in buckram.
Frontispiece and 5 colour illustrations.
Book size: 9½" × 5¾", 176 pages.
Find it at Folio Books, Goodreads
------------------------------------- In 1950, Ray Bradbury had a kernel of an idea for a story, and rented a typewriter in the basement of the UCLA library for nine days (it cost him $9.80). Dashing from the basement to the stacks to track down half-remembered quotations and typing at furious speed, in that short time he produced the first draft of an extraordinary novel. Serialised, widely published, adapted for film, theatre and even opera, the book, as Bradbury wrote, ‘seems to have a life that goes on recreating itself’.
------------------------------------- In 1950, Ray Bradbury had a kernel of an idea for a story, and rented a typewriter in the basement of the UCLA library for nine days (it cost him $9.80). Dashing from the basement to the stacks to track down half-remembered quotations and typing at furious speed, in that short time he produced the first draft of an extraordinary novel. Serialised, widely published, adapted for film, theatre and even opera, the book, as Bradbury wrote, ‘seems to have a life that goes on recreating itself’.
Bradbury’s bleak admonitory vision is not of a tyrannical government, but of people who did this to themselves. His fictional dystopia began with a wave of political correctness that censored and silenced uncomfortable opinions; then interactive, reality TV swamped critical thought; and finally, each individual’s ‘right’ to the pursuit of happiness removed any sense of responsibility and even emotion itself. Over 60 years on, the fears raised by Fahrenheit 451 have not lessened. Yet at the book’s heart is a profound optimism: books are symbolic of humankind’s capacity for reflection and understanding, which can save us from our equally powerful capacity for self-destruction. This edition includes a new introduction by science-fiction writer Michael Moorcock and a series of astonishingly life-like illustrations by Sam Weber, which perfectly capture the novel’s haunting atmosphere.
2.
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All dystopias, in my opinion, now take place in some seemingly futuristic setting that now includes Laser Projected Virtual Keyboards. I envision myself sitting in some hidden room, posting some "fight the power" esq. posts with my laser keyboard.
Now that I've got my book, my keyboard, all I need is some serious footwear to help me kick some major a$%.
3.
Dr. Martens 1460 All-Over Stud Boot
Overview:
* Punky, updated version of the iconic lace-up boot from Dr. Martens
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* Pull-loop logo-tag detail at top-heel
* Cotton cord laces; enamel eyelets
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* Padded leather footbed
* 1.5" heel
I mean, they are too awesome to NOT wear- even though in said dystopia these boots would make me completely conspicuous, and therefore get me arrested immediately. I may have to reconsider wearing them in public.....